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Here is an unexpected Gérard Genette, looking back at his life and time with humour, tenderness and lucidity. 'Bardadrac' is the neologism a friend of his once invented to name the jumbled contents of her handbag. A way of saying that one finds a little bit of everything in this book: memories of a suburban childhood, a provincial adolescence and early years in Paris marked by a few political commitments, the evocation of great intellectual fi...

Do words - their sounds and shapes, their lengths and patterns - imitate the world? Aiming to bridge mainstream literary history and Gerard Genette's expertise in critical method, this book presents a study of language as a representation of reality. It draws upon the traditions of philosophy, linguistics, poetics, and comparative literature.

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Comme l’indique son titre, ce petit livre met un point final à la suite bardadraque qui l’a précédé, selon une fonction d’ examen auto-critique et dans un après-coup plus ou moins tardif, que la tradition classique assignait comme définitive et forclusive. La sagesse populaire, qui craint à juste titre les suppléments inutiles et les promesses en l’air, dit en pareil cas : N’épiloguons pas , ou parfois, et plus bizarrement : N’anticipons pas ....

Les études qui composent ce volume s'articulent en une suite rigoureuse : Critique et poétique, Poétique et histoire, La rhétorique restreinte (ou métaphore et métonymie), Métonymie chez Proust (ou la naissance du Récit), enfin Discours du récit (pour une technologie du discours narratif) qui est un essai de méthode appliqué à la Recherche du Temps perdu. Di...

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Mimologiken zeichnet ausgehend vom Platonischen Dialog Kratylos die Theoriegeschichte einer "natürlichen Beziehung" zwischen Sprache und Natur nach, die bis in die Gegenwart reicht.

Gérard Genette ist einer der wichtigsten französischen Literaturtheoretiker, seine Bücher gehören zum Kanon der Literaturtheorie. So auch Palimpseste, das sich dem komplexen Spiel der Resonanz der Texte untereinander widmet.

Genettes Interesse gilt den Elementen, die zwar zum Buch, nicht aber zum "Werk" gehören. Seine Studie ist eine regelrechte Kulturgeschichte des Buches.

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In 'Paratexts, ' an English translation of 'Seuils, ' Gerard Genette shows how the special pragmatic status of paratextual declarations requires a carefully calibrated analysis of their illocutionary force.

According to Gerard Genette, works of art can have two modes of existence: immanence and transcendence.Translated by G.M. Goshgarian.

Over the course of the past forty years, Gerard Genette's work has profoundly influenced scholars of narratology, poetic, aesthetics, and literary and cultural criticism, and he continues to be one of France's most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver's relationship to an aesthetic object, abstract art, ...

Gerard Genette, a critic of international stature, here builds a systematic theory of narrative upon an analysis of the writings of Marcel Proust, particularly Remembrance of Things Past. Adopting what is essentially a structuralist approach, the author identifies and names the basic constituents and techniques of narrative and illustrates them by referring to literary works in many languages.

Over the course of the past forty years, Gerard Genette's work has profoundly influenced scholars of narratology, poetic, aesthetics, and literary and cultural criticism, and he continues to be one of France's most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver's relationship to an aesthetic object, abstract art, ...

In Narrative Discourse Revisited Genette both answers critics of the earlier work and provides a better-defined, richer, and more systematic view of narrative form and functioning. This book not only clarifies some of the more complex issues in the study of narrative but also provides a vivid tableau of the development of narratology over the decade between the two works.